It’s October and that apparently means John Carpenter movies in theaters! There was a trifecta of Carpenter movies I haven’t seen.
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Prince of Darkness has the technobabble of Ghostbusters and the blasphemy of The Exorcist. It’s not the best, but it’s got creepy weirdness, a few actors from Big Trouble in Little China, and Donald fucking Pleasence. The last movie I saw him in was MST3K’s Pumaman, so it was refreshing to see him act in a not-entirely-awful role.
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The Fog is interesting, but I can’t help but feel like it wrapped up too quickly. Imagine making a horror movie in the setting of Jaws. It’s a slow motion disaster set in a small town. It plays with distance in an interesting way, as one of the characters spends most of the time broadcasting from a radio station.
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Halloween (1978) is horror classic—this was a 40th anniversary showing. I haven’t seen any of these teen slasher classics, but I thoroughly enjoyed it. The debut of Jamie Lee Curtis and more Donald Pleasence! I was greatly amused that Pleasence got a quick, funny scene where he scares a kid away from a somewhat legitimately haunted house.
But that’s not all!
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Halloween IV was a double-feature with Halloween and was also celebrating its 30th anniversary—on an original 35mm print. I discovered afterward that the continuity and canonicity of the Halloween movies is a big damn mess. IV is basically a direct sequel to the original with some elements of II that they retconned. (III doesn’t involve Michael Myers at all.) All in all, it’s ok, but it shines best when it reincorporates details from the first movie. No regrets about skipping II and III to see it.
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Halloween (2018) because why not after seeing the original a few days earlier? It’s a direct sequel to the first movie set forty years later starring a T2/Sarah Conner-style, ruggedized Jamie Lee Curtis in full prepper mode. It has many enjoyable callbacks to the original, including a refreshingly modern babysitting interaction. There’s some dumb teen bullshit that bogs down the middle, but it’s all business in the last quarter of the movie.
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Venom is as dumb as you think it is.