Gonna continue the Clipping. streak since I finally caught time to check their latest double-track music video.
https://youtu.be/Whsfo9cYD-g
So, these are really awesome tracks from the album. Tons of musical layers here. There’s pounding bass dropping on your head, soaring moments that don’t feel freeing but hypnotic; otherworldly lyrics painting ominous pictures with sound and word, and then you’re hearing the visuals. Or are you? What’s what? It’s so oppressive and heavy.
These tracks aren’t following the sort of more campy horror reference path (at least not in a way obvious to me) that many of the other tracks are. But these tracks are still ominous, dark, and certainly full of terror. They transcend the more raw visceral horror the other elements of the album hit.
What’s interesting here with Clipping on these tracks is while they’re doing a great job of arranging different aspects together, I am thinking in the back of my head how a lot of these individual elements are coming from various scenes and Clipping. is essentially tapping into them and packaging those sounds into their work. So that’s a good thing, but if you want Merzbow like, don’t get it from a Clipping. album. And so for me what’s interesting is where is Clipping just doing what many bigger acts do and take a whole goddamn genre and then sample it to inspire one song?
I’m not saying Clipping’s crew isn’t pushing things in their own way and making their own sound. But I am getting a vibe that a lot of the real interesting stuff is tip-of-the-iceberg reference to worlds of sound exploration going on in various scenes.
Certainly a scene I do think about while listening to a lot of this album, is the wider range of horrorcore, dark trap, phonk, and other offshoots of the Memphis rap scene.
There’s been a few characters (I don’t know what the proper title would be) putting together a lot of mixes of very dark grimy horror-themed Memphis-rap-derived, chopped and screwed trappy tracks, layered together with various visuals and sound clips from horror/gory movies from the 80’s, 90’s, and beyond. And certainly it’s all working from the same strings what Clipping’s been pulling on.
Stuff like:
https://youtu.be/RdQWl6h0CNc
and
https://youtu.be/I2Gn1TANTuo
But what they’re doing is just repackaging various music into a presentation that uplifts the feeling. (People making mixtapes and playlists aint no big new thing but themed audio-visual aesthetic playlists is a more new thing I’d say)
If you just want the raw source you got various artists who themselves are onto the aesthetic:
https://youtu.be/xvQC7GwkgqM
But of course
A lot of popular horror aesthetic is campy and raw and gory. Clipping is all of the above but usually it’s made to such a degree that it transcends its origin. There’s artistry, musicianship, message, and concept at full force. These mixes on the other hand bathe in the giblets of their source material. They’re straightforward. And they go fucking hard.
Where I’ve previously turned to metal, more and more I have been turning to this stuff. I think this trend will be true for a lot of people going forward.
Certainly in some ways it’s working it’s way back through the genre forests towards metal. Ghostemane’s latest stuff is pretty-much throwing back to Marilyn Manson-era Nu Metal
https://youtu.be/pTN_Axw8TJA
So in a way this is just one corner that I’ve been exploring but it’s an interesting slice of what’s common throughout the music world. We have some artists in their little corners, making work squarely within a movement. Genre artists, kids on soundcloud or people who just pioneered a specific sound for decades. Then we have these compiler groups who are creating high-quality concept work that spans multiple movements, pulling it together to do their own thing with all the influences allowed and no boundaries left. Lots of mainstream acts end up here as they’re pulling in features, being influenced, trying to make big stuff that can’t be contained by strict genre traditions. In some sense this makes the most powerful work but individual elements might be a bit watered down in the mixing process. Then we have these other compilers who are not even really making music but instead curating and presenting a sound as a package deal, yet are in their way significant to cultivating the aesthetics around the music in the modern YouTube space.