Spider-Man: Into the Spider-Verse 2018 ★★★★★
Even with all the hype, this movie beat my expectations on so many levels. It’s hard not to come across as too taken with this movie, but it really shocked me by how well it was executed.
It felt like before I’d only seen black and white movies, and now I was watching a colour movie. Or I’d only seen hand drawn animation, and now I was watching a CG movie like Toy Story for the first time. Or I’d only seen 2D movies and now I was watching a 3D movie for the first time.
The style of animation is so different and refreshing, and with so many weird and creative choices, that it takes the brain a while to catch up. It’s clear there had to be 20 minutes of story before the first big action sequence, because if they had shown that right away, it would just be too difficult. I know my brain wouldn’t have been capable of parsing how the information was being conveyed without that early training.
My brain had to be rewired to understand the new language and grammar of visual information. Until now every 3D movie I’ve seen has had the foreground objects both closer AND out of focus, which is frustrating because being closer makes my eyes want to focus on them, but that they are out of focus means that is impossible. Also, if you don’t have the glasses on right or not at a good angle, the two different images both show up, and there’s a doubling of certain parts.
In Spiderverse, they did an end-run around this. The things in the foreground were doubled, to give the impression of two projections or two eyes not looking at it stereoscopically. It became a signal to the brain “This isn’t out of focus, but closer stereoscopically and doubled”.
Also with the differing frame rates of, on one hand, the background and camera movements and, on the other hand, the characters and their movement. Using frame rate to show what is important on screen is crazy, but my brain got used to it within 10 minutes.
All these things and more are all backed up by an actual good movie with good characters and story, which means it’s not just an experiment that worked, but a form of movie which, in my head, will be a true dividing line in how I think about movies. There were animations pre-Toy Story and then after they looked different. There was action effects pre-The Matrix and after. There was non-shaky camerawork before Saving Private Ryan and then camerawork after. It doesn’t feel like “A Scanner Darkly”, where it’s just an animation style pasted over the top of an existing movie.
I’m so pleased that now Lord and Millar are trusted movie makers, when given the money and power and freedom by a studio to produce a new movie, the result is something THIS GOOD. How many times has a director earned that much good will and then just laid a massive turd? Think about Peter Jackson making Lord of the Rings and following it up with King Kong. It’s crazy that a team of writers and directors can be this talented and have such a strong vision, and that a movie studio lets them make it. I want more of this in the world.
Sound wise, the movie has some major flaws. The visuals are so strong, but at times the sound mixing was so flat I actually thought there was something wrong in the theatre. Whoever was directing the foley work and effects mixing needs a stern talking to. I’m surprised that the movie excels in so many other ways, so it obviously has great talent behind it, and yet the dud sound mixing slipped by them and actually made it into the final cut.